AI commercial

A spot that stops the scroll — for TV, YouTube or paid social.
- Script and storyboard
- 16:9, 9:16 and 1:1 cuts
- Licensed music, cleared for ads
AI presenter videos
Someone talking to camera is the simplest film there is, and the most expensive one to keep making: a studio day for every update, every language, every new product line. A built presenter turns that into a script change. The work is making them someone people listen to rather than someone they notice.
Floor
from $1,400
Campaign pass, at its simplest
Typical
$1,900 – $2,600
with your script, normal timeline
Turnaround
10–15 days
brief to delivered master
Both numbers are real and they are not a discount and a price. The floor is what the pass buys at its simplest — your script, one location, one character, no VFX layer. The typical range is the same film with the things most briefs actually ask for. What moves the number, itemised.
The presenter is designed for you from scratch: age, voice, wardrobe, the way they hold a pause. They do not resemble a real, identifiable person, so there is no likeness to license and nobody who can withdraw consent next year.
One character sheet, used for every film you make with them. Episode twelve looks like episode one, which is the whole point of having a face for a brand rather than a different stranger each time.
A new market is a translated script and a new voice track, not a new casting. Lip movement is rebuilt for each language, and subtitles come burned in or as a separate file.
Prices changed, the feature shipped, the offer ends Friday. Because nothing was filmed, a correction is a re-render of the lines that moved, with everything else left exactly as it was.

A spot that stops the scroll — for TV, YouTube or paid social.

A run of Reels, TikToks and Shorts — made as one set, not one by one.
Need something else? Explainers, trailers, game teasers, event openers, looping screens — describe it, and the calculator prices it for you.
See all seven formatsLong unbroken monologues. Past about twenty seconds in one take, small things accumulate — a blink rhythm that is too even, a smile that arrives a frame early, hands that gesture without meaning anything. Each is minor; together they are the uncanny feeling people cannot name.
What we do instead
We cut the way a good corporate film is cut anyway: short takes, a change of angle on the turn of a thought, product and B-roll over the lines that explain rather than persuade. Hands stay mostly out of frame unless the gesture is designed.
The part nobody shows you
The reason most AI video looks cheap is that it ships the way it came out. Ours doesn't. Drag the handle to see the difference one pass makes.


Before anything is generated we build a reference board: your product from every side, your palette, the exact light. The model gets shown what to make, not told.
A character sheet comes first — face, wardrobe, height, the way they stand. Every shot is generated against it, so nobody's jaw changes between cuts.
Generation gives us material, not a film. An editor picks the takes, fixes hands, paints out the tells, and tracks your logo in so it sits on the surface.
One grade across the whole film, so the shots belong to each other. Sound designed to picture, not pulled from a library and stretched to fit.
Plain pricing / four passes
Four ways to work with us, all in dollars, all on the page. Every number here is a floor, not an average: it buys the simplest honest version of that job — your script, one location, one character, no VFX layer. Add a character, a second language, or a look nobody has built before, and it moves. The calculator prices your actual idea in two minutes.
Pass 1
Single
from$480
5–7 days
One film, up to 15 seconds. The whole thing, start to finish.
Pass 2 · most booked
Campaign
from$1,400
10–15 days
Thirty seconds plus the cuts you need to actually run it.
Pass 3
Flagship
from$3,200
3–5 weeks
Forty-five to sixty seconds with a character built for you.
Pass 4 · season ticket
Retainer
$1,200/ month
72 h SLA
Eight to twenty films a month against your content plan.
If the film runs longer
Past a minute, we price by runtime. Same six steps, more of everything.
1–2 min
$3,500
Around 3 weeks
2–3 min
$4,500
4 to 5 weeks
3–5 min
$6,000
6 weeks and up
No idea what your budget should be?
Five questions about what you're making. You get a real number and a scope in writing. Two minutes, no call, and nobody phones you afterwards.
All prices are ballpark. The final number moves with the script, the number of characters and how complicated the idea is. You get the exact figure in writing before anyone starts.
Yes. The person is designed rather than recorded, so there is no likeness to license. What we will not do is build someone who resembles a real, identifiable person without their written permission.
Only with their written consent, and then we usually film them for half a day and build around that footage. Recreating a real person from photos is not something we do without a signed release.
As many as you need. Each language is a translated script, a voice track and rebuilt lip movement on the same performance, so the presenter looks and moves the same in all of them.
Yes, that is what the character sheet is for. The presenter is yours to keep using, and every new film is made against the same sheet so the face does not drift between videos.
From $1,400 for thirty seconds with your script. Extra languages are priced per version and cost far less than the first, because the performance already exists.
Two minutes, five questions, a real number at the end. No call unless you want one.
Or just write to us:hello@ambercut.comTelegram